Zhu Chu Shan
Zhu Chu Shan



演出预告
 

+ 2009年11月21日 +

楚山京剧学院2009年度汇演
(WCSCOI Annual Performance)
2009 Thanksgiving Opera and Dance Show

Saturday, November 21, 2009
7:30 p.m.
Rockville High School
2100 Baltimore Rd
Rockville MD, 20851

Contact:
240-429-1036
301-989-0539
301-768-8586
301-625-8102


+ 2008年12月14日 +

大型音乐剧:《奇妙的救恩》 (The Amazing Grace)
编剧:朱楚善(山)

12月14日佳音艺术事工团将在Rockville 的Richard Montgomery高中推出一部大型音乐剧《奇妙的救恩》。 该剧讲述了一个人如何探索人生意义, 达到生命彼岸的动人故事。剧情跌宕起伏、婉转深沉、催人泪下。这部令人耳目一新的音乐剧集独唱、 合唱、小组唱、表演唱、舞蹈、乐队、道具、 灯光于一炉,具有强烈的艺术感染力和观赏性。

演出時間:
2008年12月14日(星期日)晚7点整
地點:Richard Montgomery High School
250 Richard Montgomery Drive
Rockville, Maryland 20852


+ 2008年3月22, 23日 +

楚山艺校全新创作
《仿宋瓦舍剧:勾拦百戏》 (A Revival Of Gou Lan)


楚山集中了一批艺术精英共同担纲,投入创作。著名京剧表演艺术家童小苓饰演压轴 戏“贵妃醉酒”的杨贵妃一角。大华府著名京剧剧作艺术家、上海京剧院朱楚善饰 演宋代戏班子副末角色。纽约美华艺术中心主任周龙章将加盟主持。北京昆曲院丑 角单靖饰演副净一角。台湾复兴剧校著名武旦丛美瑜饰演兰陵王。河北省京剧娃娃 生武旦郭素玲饰演目莲僧。著名曲艺表演家王建华饰演“双斗医”中胡突重一角, 北京昆曲院单靖饰演宋了明一角。北京昆曲院小温宇航饰演"双斗医"中的老师。著 名舞者宁芳等,表演“肉傀儡”,北京院花脸刘庆先表演“舞判”。纽约少林寺弟 子,河北杂技团团员加盟参演,并特邀华府著名话剧表演艺术家王璐女士和马大教 授 Brecken Chinn Swartz女士分别扮演戏班子旦一角,她们将用英中文介绍全剧的 表演。另有大华府地区著名音乐界人士唐渡,李黎英,柯尹芳, 陈善良,陈婷婷, 王玉立及鼓师黄世荣等加盟创演。扮演游人等则由楚山艺校,洛城中文学校和斯莱 哥初中的众学生担纲。

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+ 2008年1月18日至2008年2月24日 +

Philadelphia Theatre Company 话剧 《蝴蝶君》
(M. Butterfly)

艺术顾问和舞蹈指导: 朱楚山, 导演: Joe Calarco, 编剧:黄哲伦

朱楚山作为特邀京剧艺术顾问兼舞蹈指导,全程参与了《蝴蝶君》的设计,排练和制作,为该剧的成功出炉提出大量有益的建议,得到剧组各方面诸多赞扬和肯定。排练期间一个多月的日子里,朱老师不顾路途的劳顿,每周往返于华盛顿DC和费城之间,为这出戏的上演付出了许多心血和时间。在他看来,能把戏排好,一切劳累和付出都是那么有价值。能有机会把自己多年的传统艺术实践中积累的经验和体会,在美国的话剧艺术中表现出来,把自己对该剧的理解,与剧情的起伏和编导的意图很好地结合起来,把中国的传统艺术以正宗而高雅的面貌展现给观众,让美国人欣赏到原汁原味的东方艺术,尤其是纯正的中国国粹京剧,而不是假想的肤浅表达理解,是一件非常有意义的事情。相信《蝴蝶君》的成功一定会让朱老师感到欣慰。我们也满心地期待着朱老师的创作得到观众认可。

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+ 2007年12月4日 +

朱楚山改编并导演《白蛇传》 (The White Snake)。

童小苓饰白蛇,温宇航饰许仙,李迎春饰小青,王玉清饰法海 。

演出地点:纽约市珍珠街(Pearl Street)411号松柏高中剧场。

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个人简介

 

ZhuChuShan

旅居美国二十年,华盛顿著名中国戏剧,戏曲艺术家,华盛顿楚山中国表演艺术研究学院创始人(Washington Chu Shan Chinese Opera Institute), 资深编导,制作人,研究员朱楚善先生,2008年回归中国,于上海楚山表演艺术工作室工作。楚善先生以其在中国,台湾,美国两岸三地的四十年艺术工作,涉足中美戏剧,戏曲,音乐,歌舞及影视的丰富经验,将在2009年起,逐步推出其在中国的一系列创作演出企划和创意实验新作。

朱楚善先生简历:

朱先生于60年代末毕业于上海戏曲学校,后修课于上海戏剧学院和中国电影,电视中心。长期在上海京剧院工作。曾和南方戏曲届吕君樵,李柴贵,李瑞来及马科等老一辈的戏曲编导一起工作。并与童芷苓,李玉茹,言慧珠,童祥苓,汪正华,李芳,王正屏,张南云,孙正阳,小王桂卿等南方戏曲界著名的老艺术家一起合作,编排新剧。楚山先生早期编导演的作品有50余部, 见下:

  • 1) 神话京剧[盘丝洞] 一,二,三稿;连台本戏[封神榜]一,二,三本;全本[雁门关][谢瑶环] [汉武哭宫] [十三妹 ][三打陶三春 ][胭脂]。
  • 2) 现代京剧[宝剑归鞘] [松骨峰] [金绣娘] [向北方] [智取威虎山] [奇袭白虎团] [难忘的战斗] 等。
  • 3) 越剧[姑苏情话],豫剧[盘丝洞],电影[白露街凶杀案],电视连续剧[秋海棠] 等。
  • 楚善先生1887年移居美国华盛顿,1991年创办华盛顿楚山中国艺术学校(院),致力于海外中国表演艺术的推展活动。这一时期有作品:

  • 新编四幕京剧[霸王别姬] (1995年)
  • 新编神话京剧[美猴王] (2000,2002 年)
  • 荀,张派京剧[红娘] (1999年)
  • 综合京剧秀[美妙的中国京剧] 一,二,三,四 (1994年)
  • 现代舞剧[红罐子与兰白碗] (1995年)
  • 百老汇名剧[蝴蝶君](M-Butterfly)(2005年)
  • 楚善先生于1998年至2003年应聘赴中国台湾国立国光剧团任艺术总监,导演,及中央广播电台艺术顾问。在台湾他有作品:
    大型神话歌舞京剧[牛郎织女天狼星];京剧[妈祖] [郑成功] [锁阳姻缘] 等;十三集电视京剧[游园戏梦] 及系列广播[京剧介绍]二十余集。

    楚善先生在美国主流演艺圈享有声誉,他曾二度应邀为百老汇名剧 [蝴蝶君](M-Butterfly) 作艺术指导,表演,舞蹈,动作设计。曾多次在华盛顿甘乃迪艺术中心作中国京剧的表演讲座和展示演出,并为他们主办的现代舞剧[[红罐子与兰白碗]担任导演,编舞,同时他受邀于美国国会图书馆,柯克兰博物馆,史密索尼国家博物馆,马里兰大学艺术中心,以及华盛顿市政府,美国财政部,华盛顿邮报社,中国大使馆等重要艺术和国家机构,作中国的表演艺术讲座和演出。朱先生近期作品有:

  • 纽约新版京剧[白蛇传] (2007年)
  • 童派京剧[尤三姐] (2006年)
  • 京剧交响大合唱[天地日月同荣耀] (2006年)
  • 百老汇名剧 [蝴蝶君](M-Butterfly) (2008年)
  • 仿宋代《勾栏瓦舍剧:歌舞百戏》 (2008年)
  • 编导大型歌剧《奇妙的救恩》(2008年)
  • 改编并导演京剧全本《穆桂英挂帅》(2009年)
  • 他多次获美国国家奖金,马里兰州奖金和蒙哥玛利郡奖金。近期他荣获2006年华盛顿社区基金奖。是大华府地区十位获奖者中唯一的一位亚裔艺术家。他和他的机构被中美报刊评论为“创意十足的,意想不到的美国大华府地区的优秀中国艺术团体和艺术家。


    Chu Shan Zhu is the founder, principal and executive director of the Washington Chu Shan Chinese Opera Institute. He has also served as Artistic Director of National Kuo-Kuang Chinese Opera Company. From 1987 - 1990, Mr. Zhu served as both instructor and performer for the Chinese Opera Society of Washington D.C., as well as the Han Shen Chinese Opera Institute. From 1978 to 1986, Mr. Zhu served as director, scripts writer, and artistic manager for the Shanghai Beijing Opera Theatre. In addition, he directed the experimental Chinese Opera Troupe of the Shanghai Traditional Opera College from 1966 to 1977.

    Mr. Zhu has directed over 75 Chinese Opera performances, including "Pansi Cave", "Xie Yaohuan,. "Pass of Wild Goose Gate,. and "A Celestial Romance between the Cowherder and the Weaving Girl.. .Perpetual Love. and "Emperor Chiang Long's Visit South of the Yangtze River" earned him the Script Creation Award in 1980 and Best Modern Chinese Opera of the Forth Shanghai Arts Festival in 1992, respectively.

    Mr. Zhu has created numerous Beijing opera scripts; these include "Journey to the West,. "Battle at Spider's Cave,. "Blood Shines on the Nine-Dragon Crown,. and "Thirteenth Sister, the Heroine.. His original script for "Three Charges at Niutang Valley" received an Excellent Script Award from Taiwan's Ministry of Education in 1993.

    Mr. Zhu was the leading actor of the 1984 movie, "Murder in the White Foggy Street.. In 1995, he filmed and directed a 12-episode television series, "Begonia,. and in 2000, he directed the 13-episode Chinese opera television series, "Taiwan Legends" (the latter tells the stories of Zheng Cheng Gong, who, along with Dutch colonialists overtook Taiwan during the Ming Dynasty).

    From September 1999 through April 2000, he served at the Artistic Director of the National Opera Troupe, where he directed nine operas, including "A Celestial Romance" (NiuLang zhi Nu), "The Story of the White Snake" (Baishe Zhuan), "Seven Weddings of Suoyang" (Suoyang yinyuan), "The Story of the Water Marshes" (Shuihu Zhuan), and a children's version of "The Red Boy" (Hong Hai'er), a story from the Monkey King series.

    During his stay in Taiwan, Mr. Zhu recorded a 25-episode series of island-wide radio talks for the Central Broadcasting Station. "Peking Opera Lectures" focused on different aspects of Chinese performing folk arts as well as on Chinese operas.

    In November 2003, Mr. Zhu provided artistic direction for the Shanghai Peking Opera Theatre's March 28, 2004 production of "The Story of the White Snake" in celebration of a month of cultural exchange between China and France. He relied on his experiences producing programs accessible to and enjoyed by foreign audiences in directing this opera, which was well received by its French audience.

    Since founding the Washington Chu Shan Chinese Opera Institute in 1992, Chu Shan Zhu has introduced the art of Chinese opera to more than 70,000 school children in 170 area schools. Additionally, he performed in Minnesota, Missouri, Massachusetts, New York, and Virginia at universities, children's museums, and Chinese community group celebrations. In addition to the extensive public school and community outreach service he has provided both as a performer and as the Institute's Executive Director, Mr. Zhu has also dedicated years to providing ongoing training to scores of students, turning young people who have no previous training in or knowledge of Chinese opera, into confident performers, assistant teachers, and Chinese opera aficionados.

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    he Story of the Water Marshes" (Shuihu Zhuan), and a children's version of "The Red Boy" (Hong Hai'er), a story from the Monkey King series.

    During his stay in Taiwan, Mr. Zhu recorded a 25-episode series of island-wide radio talks for the Central Broadcasting Station. "Peking Opera Lectures" focused on different aspects of Chinese performing folk arts as well as on Chinese operas.

    In November 2003, Mr. Zhu provided artistic direction for the Shanghai Peking Opera Theatre's March 28, 2004 production of "The Story of the White Snake" in celebration of a month of cultural exchange between China and France. He relied on his experiences producing programs accessible to and enjoyed by foreign audiences in directing this opera, which was well received by its French audience.

    Since founding the Washington Chu Shan Chinese Opera Institute in 1992, Chu Shan Zhu has introduced the art of Chinese opera to more than 70,000 school children in 170 area schools. Additionally, he performed in Minnesota, Missouri, Massachusetts, New York, and Virginia at universities, children's museums, and Chinese community group celebrations. In addition to the extensive public school and community outreach service he has provided both as a performer and as the Institute's Executive Director, Mr. Zhu has also dedicated years to providing ongoing training to scores of students, turning young people who have no previous training in or knowledge of Chinese opera, into confident performers, assistant teachers, and Chinese opera aficionados.

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